For a film with some of the worst picture quality ever, it’s actually pretty damn fun. Read more “The Town That Dreaded Sundown (1976)”
Category: Cinema!
PC3’s Horror and Exploitation Movie Scale of Awesomeness!
It’s time I came up with a rating system for all these horror and exploitation flicks I watch. To me, the traditional five-star and ten-point scales don’t tell enough to the casual reader of reviews. All it tells them is whether the reviewer liked the movie or not. And really, that doesn’t matter. What matters is why they liked or disliked the movie, and what they liked and disliked about it.
So, I’ve devised a 100-point rating system using ten categories that I find important in horror and exploitation cinema. You’ll see an overall score, but you’ll also see where a movie shined and where it didn’t. The overall score isn’t even that important. For example, The Toxic Avenger, a movie a really like, would score poorly in most categories listed. But it would score big in Gore, Nudity, and Fun Factor. Another reason you shouldn’t judge a film by its overall score, Return of the Living Dead—my all-time favorite horror film—only scored a 76. I can’t imagine many movies scoring higher than that one.
Here are the categories:
Gore
(0-10) Most film critics will say you don’t need a bunch of blood and gore to make a good horror movie. This is true in some cases. But in my book, you get extra points for excellent, explicit gore, the kind of gore that turns a good horror movie into a classic of the genre. Think movies like The Evil Dead, High Tension, and Hellraiser.
Special Effects
(0-10) Special Effects can make or break a horror movie. And, in my humble opinion (which is the only opinion that matters for this scale), CGI effects typically do more harm than good. Why so many filmmakers have gone to CGI when there are folks like Tom Savini out there who can bring special effects perfection to the screen without computers, is beyond me. There are, obviously, some exceptions, like Pan’s Labyrinth, which used CGI expertly. Some films with great practical effects include Alien, Scanners, and A Nightmare on Elm Street.
Nudity/Sexuality
(0-10) This isn’t just a horror movie scale; it’s an exploitation scale too! And where would exploitation be without bare breasts and short shorts? But, if you think about it, the vulnerability of nudity lends itself well to the horror genre too. Afterall, if two teens are screwing in the woods near Crystal Lake, you’re pretty certain they’re in deep trouble. Movies with high Nudity/Sexuality marks would be Return of the Living Dead, The Big Bird Cage, and Shivers.
Wow Factor
(0-10) Sometimes there is that single moment or two in a movie that makes your jaw drop, turning a flick you weren’t too sure about into one you absolutely loved. Remember the scene in Jeepers Creepers where you see the body being thrown down a pipe? Or that moment in Saw where the protagonist decides to actually use that hacksaw. Or the scene in the original Friday the Thirteenth where the arrow is pushed through Kevin Bacon. What a great scene!
Acting
(0-10) Horror and exploitation movies rarely get recognized for great acting. But it’s out there, and I’m going to call it out when I see it! Obvious examples here are films like Black Swan, American Psycho, and The Shining. I would also include Rob Zombie’s Halloween, The Witch, and Hereditary.
Fear Factor
(0-10) While I’m not in the camp that thinks a horror film must be scary to be good, I definitely appreciate those movies that widen your eyes, making you grit your teeth and grab hold of your date’s hand. I’m not talking about jump scares here; those are easy and overdone. I’m talking about movies that are genuinely terrifying. Like The Autopsy of Jane Doe, Vacancy, The Ring, and The Blair Witch Project.
Story/Plot/Originality
(0-10) If a new film about Jason, Freddy, Michael Myers, or Dracula comes out, it’s not going to fair very well in this category. Here, I’m looking at stories that keep you on the edge of your seat and plots that are as original as possible in this age when there are a billion movies out there. Movies that score good here include the original Saw, The Platform, and Scream. Yes, I know that Scream drew on influences from all over the genre. But that self-awareness itself was original, damn it!
Cinematography/Atmosphere
(0-10) Nothing quite sets the tone of a horror movie like the dark and foreboding worlds they take place in. How frightening would The Lighthouse have been were it not for the grainy, black and white way it was shot? Not very. Suspiria, Eraserhead, Nosferatu, and A Cure for Wellness; these are movies that are visually stunning. Great camera shots will be rewarded with points here too, like that scene in The Texas Chain Saw Massacre where the girl gets up from the swing and the camera follows her along from beneath it.
Sound/Music
(0-10) Much like cinematography, the sound of a horror movie can set the mood of what’s to come, even if the visual stimulation isn’t threatening. Think of the opening scene from The Shining where the Torrance family is taking a leisurely drive through the mountains. It’s the music in this scene that’s foreboding. Nothing more. Then there are the films like Jaws and Halloween, where their respective tunes have become classic soundtracks of menace. And those low budget films that don’t pay enough attention to sound quality, they’re going to suffer here.
Fun Factor
(0-10) Let’s face it, some movies are just fun. Maybe they’ve collected very few points on the scale up to this point but—damn it!—it’s a fun movie! This is where all those Troma movies shine. And films like Killer Clowns from Outer Space, Shaun of the Dead, Tremors, and The Frighteners. But not those stupid Scary Movie flicks. Never those.
247 Degrees Fahrenheit
It’s an interesting idea, I suppose. Three friends get trapped in a sauna, not really sure if their drunk friend locked them inside or if something else happened. It would certainly be a frightening predicament in real life. But, this isn’t real life. This is the movies, and I’m supposed to love the characters and be entertained by exciting and horrifying scenes. But there is none of that. Read more “247 Degrees Fahrenheit”
The Incredible Petrified World
I kept waiting for the cheesy, lovable monsters that make 50s era horror and sci-fi movies so great. But it never happened. As it turns out, The Incredible Petrified World is more of an adventure story than science fiction, and calling it “adventurous” would be a stretch. Despite having B movie legend John Carradine onboard, the movie has very few redeeming qualities. Read more “The Incredible Petrified World”
Circle (2015)
This movie has all kinds of potential and just doesn’t deliver the goods the way you really want.
It’s a cool idea: A bunch of strangers awaken–in an upright position, oddly–arranged in a circle, each of them standing in their own red circle. If they move from the red circle, they’re dead. Read more “Circle (2015)”
The Platform (2019)
Holy shit! Where has this movie been my whole life?
I’d never even heard of The Platform until my lovely wife found it on Netflix. The preview was intriguing and, though I typically reserve foreign language films for when I’m specifically in the mood for such a thing, we decided to give it a watch. God, I’m glad we did. Read more “The Platform (2019)”
The Open House (2018)
Warning, I’m gonna drop some spoilers, though there isn’t much to spoil.
You understand pretty early on that The Open House is one of those slow-burn thrillers–where there’s a creak here and bump there and all the occasional odd occurrences. Unfortunately, there is no bang at the end of that burning fuse. Read more “The Open House (2018)”
13 Sins
Wow, this was a fun ride.
I’m actually shocked I’d never heard of 13 Sins before coming across it on Netflix. A short, powerful synopsis always pulls me in with books, and it’s no different with movies. The plot descriptions given on IMDB and Amazon are your generic run through, but on Netflix it says: “For $1000, this likable loser will hurt a fly. What will he do for a million? One task down, 12 more to go…” Read more “13 Sins”
30 Days of Night
Vampire movies these days are one of two things: either a “horror” romance starring pretty boys with zero body hair and zero body fat or yet another reimagining of Dracula. Of all the horror sub-genres, vampire movies are the ones I’m least likely to enjoy. Read more “30 Days of Night”
Ilsa, She Wolf of the SS
Why this isn’t widely considered one of the greatest World War II films ever produced, alongside Saving Private Ryan, Schindler’s List, The Pianist, and Das Boot, I’ll never know. I mean, in terms of historical war cinema, this really is as good as it gets. Okay, okay, I’m joking. If you’re a WW2 buff like me, don’t expect to satiate your craving for a good movie on the war by watching this. Although, it is better than Dunkirk and that new version of Midway. Read more “Ilsa, She Wolf of the SS”
Are We Not Cats
Not horror, per se, but horrifying all the same.
I stumbled across Are We Not Cats on Amazon after watching Housewife–a movie I’ll have to watch a second time before I can formulate a coherent thought about it. Read more “Are We Not Cats”